Ono believes that there is a difference in the postwar generation. A difference in the way they see and understand things. zthey don't see things as they really are, but differently. Is this true?
In the second section of "An Artist of The Floating World" Ono goes to visit Kuroda. He makes this visit in an effort to clear up any misunderstanding they may have had in the past and make sure Kuroda doesn't sat anything about Ono's past that may jeopardize Noriko's marriage negotiations. Upon his arrival Ono is greeted by a young man, Kuroda's pupil, Enchi. Enchi assumes Ono is one of Kuroda's associates so initially he is very polite and welcoming, but when he finds out exactly who Ono is he changes. Ono says, "Until this point the young man had managed to maintain a polite tone in his voice, but now he seemed to lose his self control" (113). Enchi's voice changes and he is in this mood of disgust. From the things that Kuroda has shared with him about Ono the young man has no respect for Ono. Enchi accuses him of being a traitor and blames Ono for Kuroda being thrown in jail and all of the abuses he suffered while there. Ono says to him, "Young men of your generation tend to see things far too simply", (113).This angers Enchi and he responds even more forceful than before. Enchi believes that he knows exactly what happened and understood well enough.
In the second section of "An Artist of The Floating World" Ono goes to visit Kuroda. He makes this visit in an effort to clear up any misunderstanding they may have had in the past and make sure Kuroda doesn't sat anything about Ono's past that may jeopardize Noriko's marriage negotiations. Upon his arrival Ono is greeted by a young man, Kuroda's pupil, Enchi. Enchi assumes Ono is one of Kuroda's associates so initially he is very polite and welcoming, but when he finds out exactly who Ono is he changes. Ono says, "Until this point the young man had managed to maintain a polite tone in his voice, but now he seemed to lose his self control" (113). Enchi's voice changes and he is in this mood of disgust. From the things that Kuroda has shared with him about Ono the young man has no respect for Ono. Enchi accuses him of being a traitor and blames Ono for Kuroda being thrown in jail and all of the abuses he suffered while there. Ono says to him, "Young men of your generation tend to see things far too simply", (113).This angers Enchi and he responds even more forceful than before. Enchi believes that he knows exactly what happened and understood well enough.
Is it that Enchi sees thing too simply or is it that Ono simply doesn't understand the severity of the things that he did that may have caused Kuroda's imprisionment? This doesn't seem to be at all the case when one attempts to write Kuroda a letter and in Kuroda's response he say that he doesn't want anything to xo with Ono. This shows me that maybe the problem isn't with the younger generation at all. The problem is with Ono and has always been with Ono. The things that Hensley during the war were things that were considered in bad judgement at the time. Ono knew that but still he did them and had his pupils do it too.
In how own eyes Ono is right but to the people around him not so much. Shintaro, another of his pupils even came to him seeking a disclaimer to posters they had produced during he war. Ono refused to honor this request because he believed, as he later said, that a man should take responsibilty for things he has done in the past. So my question to you is: where do you think the difference lies, in the younger generation or in Ono?
In how own eyes Ono is right but to the people around him not so much. Shintaro, another of his pupils even came to him seeking a disclaimer to posters they had produced during he war. Ono refused to honor this request because he believed, as he later said, that a man should take responsibilty for things he has done in the past. So my question to you is: where do you think the difference lies, in the younger generation or in Ono?
Ishiguro, Kazuo. An Artist of The Floating World. New York, NY: Vintage Books, 1986. Print