Ono's Dilema

From the beginning of the novel, we are given the impression that Ono is a humble artist who made a mistake and has been chewed out by the rest of society for it though they once admired him. However Ono is a senile old man who thinks too highly of himself and is arrogant enough to try and shoulder the blame for leading Japan into war. Through out the novel, it seems that Ono is outcast by society because of his patriotism during the war when in reality he is the one excluding himself from the world.

At one point in his life, Ono believed in the emperor and what he stood for. He believed in a strong Japan that would rise against its fat bureaucrats and prosper. However, before all of this, Ono was a mere artist of a “floating world” of entertainment and pleasure. While working under Mori Ono was content with living a life of indulgence without a care for the world, as Matsuda puts it at the end of the novel Ono had a “narrow artist's perspective” (199). It was Matsuda that turned Ono on to the idea of a corrupt and disgraced Japan that needed to be fixed. It was with the “Eyes to the Horizon” Ono finally embarked down his path to patriotism and stepped out of the floating world. The idea of a new Japan was impressed onto Ono in such a way that he saw it as his own, but when he lost his wife and son to the war, Ono could not help but feel responsible for their deaths because it was similar opinions to his that led to the war in the first place.

This feeling of guilt then ate Ono from the inside and eventually clawed itself to manifest in the real world. Ono feels guilty for the loss of his family and for that reason, he can't help but feel uncomfortable when he sees that his wife and son died in vain. Kenji died in Manchuria, trying to extend Japan's reach, Michiko died as a result of the war, both were the result of ideals that Ono believed in and that is why he feels as if he played a major part in everything that happened.

It seems that this feeling of guilt then drives Ono mad. He sees hate in the eyes of the new generation because he hates himself for supporting the movement that took everything from him. However, Ono can't bring himself to admit his self loathing, his pride won't allow it. Instead, Ono projects his attitude to the people around him. I didn't begin to realize this until Ono mentioned his conversation with Setsuko on pages 192 and 193. How can it be that Setsuko cannot recollect the conversation in which she warned her father of the past when we are given such a vivid account of it? The only answer that I can think of is that said conversation never happened anywhere outside of Ono. When reading the novel, we must keep in mind that everything is being filtered by Ono so it is entirely possible that the events he describes aren't completely accurate he himself even acknowledges this on several occasions. To me all of the pardons on Ono's behalf for digressing and for the accuracy of his words is a clear hint by Ishiguro that Ono might suffer some kind of memory loss and that we should not trust him, since he himself can't remember the events that influenced his life. On page 193 Setsuko even tells Ono, “no one has ever considered Father's past something to view with recrimination.” Yet earlier on in the novel, Setsuko is hell bent on reprimanding her father.

It is entirely possible that Ono's subconscious caused him to imagine such a conversation with Setsuko to help him come to grips with his feelings. By having someone else blame him, Ono can force himself to justify himself. The miai also gives Ono the excuse he needs to come clean with himself and admit his mistakes. Indeed, the family does seem awkward when Ono begins his rantings and his daughters comment on this later on, though it doesn't seem so to Ono. In fact, in Ono's eyes, it wasn't until his confession that the miai took a turn for the best. It's funny how no one else remembers it that way.

Matsuda, who in a way forced Ono to become involved with the new Japan, admits that they never played a crucial part in the whole ordeal. It was the Army officers, politicians, and businessmen that the people followed not a simple artist.

These two instances just caused me to think that Ono didn't play a big a role as he would have us believe and that the most important aspects of the novel are coping mechanisms for Ono to deal with the loss of life in his family. However, at the end, Ono finally crosses the bridge of hesitation and decides to move on with his life for had it not been for the war and the occupation of Japan who knows what would have happened to the small nation.


Well I have to end this somewhere, and this might not have made sense but it was just something that I thought about.

Ono's Description of Setting

One thing that makes the book very detailed and interesting is the fact that we can see the setting where things take place. Why does the Ishiguro give so much detail about the setting?

In almost every scene that he describes he always gives a lot of detail about the setting. The very first scene in the book is a description of Ono’s house and the garden.

He also starts April 1949 with a description of nature. “Clusters of new houses have appeared towards the foot of the hill down which I have just come. And further along the riverbank, where a year ago there was only grass and mud, a city corporation is building apartment blocks for future employees” (99).

He also gives a very detailed description of Kuroda’s home. “Kuroda did not live in a good quarter. I walked for some time through little alleys filled with dilapidated lodging houses before coming to a concrete square resembling the forecourt of a factory” (109).

He even gives a detailed description on page 116 of the Kasuga Park Hotel (the place where Noriko had her miai). It is very interesting that they are having a very special Japanese ceremony in a place that has been influenced by western style.

He also gives a very detailed description of Kawabe Park.

In the beginning his describes his house because it is a place of great importance to him. He describes Kuroda’s home because it was a time where he was rejected by a pupil. He describes Noriko’s miai because a daughter’s wedding ceremony is very important to a father. Kawabe Park also has had a huge impact on his life.

I think that Ishiguro gives detailed description of several places because they are all of the places that have strongly impacted Ono’s life. I thought of it as a visual experience. Ono is an artist. He is a visual person. He will obviously describe with detail the setting to the places that have had major impacts in his life.

Ishiguro, Kazuo. An Artist of the Floating World. New York. Vintage International. 1989.

Who is Suichi?

“It’s just that Suichi persists in asking me from time to time about last year, about why the Miyakes should have pulled out like that. He seems convinced I know some secret and that we’re all keeping it from him. I have to continually reassure him that I have no idea myself.” (p.18) Words like “persists”, “convinced”, “secret”, “keeping”, “continually” and “reassure” define the thinking process of Suichi, which illustrates part of his character. He is a character who is mentioned about four times in this book. Although he isn’t mentioned as much as the other major characters, one can easily realize the influential impact Suichi has on others.

One example that portrays this impact is on page 36 when Ono tells Setsuko that before the War, people weren’t allowed to watch American films. Setsuko then tells Ono that Suichi enlightened Ichiro that “American heroes are better for children.” (p. 36) Suichi influences Ichiro to become more open-minded and embrace other cultures other than his own. Now, Ichiro seems intrigued by the idea of idolizing cowboys because they seem better that ninjas and samurais. After constantly accusing Setsuko of knowing a secret about why the Miyakes declined the marriage offers, he persuades her to believe that Ono is withholding information from the rest of the family. When Setsuko questions Ono about any secrets, Ono quickly notices her suspicions. He gets irritated with Suichi because his views are “irrational.” (p.50) His irrational views are causing Ono to resent him because they contradict what he is trying to teach his daughters.

Suichi specifically asserts his mind. He is a profound speaker, according to Setsuko, because she says he “expresses things better.” (49)He is a “physically powerful man”, according to anyone who crosses his path, who is an innocent human being. (p.58) Ono enjoyed listening to the wit of Suichi but ever since the War, Suichi has become bitter. Now, he gets angry during funerals because he believes that his comrades died for “stupid causes.” (p.58)To him, “the greatest cowardice of all” is that the perpetrators who sent out these brave souls to do their dirty work are still alive. (p.58) “Suichi’s generation” have all become bitter because they have experienced these tragic affairs that many brave souls died from. (p.61) These experiences have caused people around him to dislike him to an extent.

I’ve noticed that he hardly ever comes around Setsuko’s family even though he is a very influential man. This is something I couldn’t quite figure out. Is it because he is afraid that people around him will remind him of his fallen comrades? Is it because he despises his country? Or is it because he dislikes Setsuko’s family?

The Balanc

Throughout this scene, Ishiguro displays Ichiro’s mature, demanding and independent character. He does this through descriptive detail and demanding diction. When Ichiro noticed he was being watched, he “angrily turned” to shout, “Can’t you see I’m busy?” (p. 29) Soon after, he tells his grandfather that he couldn’t play with him at the moment in a screeching way. After a while, he allows his grandfather to watch him as long as he wasn’t disturbed. Ichiro is descriptively described as being watchful and moody showing how serious he was about his drama. His demanding diction shows how his difference with other characters. While others are scared to say the wrong thing to someone, Ichiro speaks his mind freely.
He stands out from the rest of the characters because unlike him, everyone seems like their life is being drained. The other characters seem as though they don’t have any meaning left. Setsuko is being brain washed by her husband Suichi, Ono is focusing too much on what used to be, and Noriko is concentrating too much on her current marriage arrangements. Ichiro’s eagerness to repeat English while pretending to be Lone Ranger shows how he is ready to adapt to other cultures and is open-minded. He is eager to go watch Godzilla while the others aren’t that enthusiastic about it. His dissimilarity with his family balances them. He makes up for the lack of enthusiasm in his family.
Something that I notice is a reoccurring object is the veranda. Setsuko and Ono are always out there relaxing. I believe they find that place to be their sanctum to retreat from their stress. There has to be reason why that place is their place to retreat. Is it because they grew up in a house that had a veranda as well? Maybe it’s because the veranda brings them closer with nature.
In the first section that we read, Noriko’s previous marriage arrangement an issue that was unsolved. The sisters have suspicions of the arrangement because they believed it was a “love match.” (p.18) They assume Ono had something to do with it or at least knows why it didn’t work out as planned. He claims that he knows nothing about what went wrong. On page 53, Noriko comes across Jiro Miyake. She talks to him like they were friends without having any arrangements made earlier. This says something about her character because she acts like nothing happened even though she was in love with him. Does this mean that she is strong willed and won’t let a bad incident keep her from being happy or does this mean she keeps things bottled up inside so well that it looks like she is happy?