Thursday, January 20, 2011

War is Hell

Years have passed since the artist Masuji Ono retired from his beloved ability to paint and left behind not only that ambition, but also relived himself of his past. After World War 2, Japan was in devastation and had little or not much to gain, due to the lives and resources that were consumed to provide Imperial Japan with a strong empire to conquer the territory around the Pacific. Yet, many things before and after have affected Mr. Ono after the war and due to this, he lost his devotion to art.
Perhaps of all the things that changed Mr. Ono was his father’s willingness to stop him from becoming an artist, since, in his father’s eyes, artists’, “ live in squalor and poverty” (46). It was due to this negativity that brought Mr. Ono to a rather surprising and disobedient conclusion. One believes that after such a statement from a parent, especially an honorable Japanese father, a child would stop and do anything to honor his parents and please them. It’s this Japanese philosophy that an obedient child would most likely live better off and not do anything else to make his parents annoyed. Yet, Ono makes a strong statement to his mother by saying that even though his father, not wanting his son to be a weak and depraved artist, wouldn’t agree to his art all he did was, “ kindled [his] ambition” (48). This shows that, even before the war for Japan in the 1930’s, Ono had a special gift to use for art. Not only that, but also, Japan was expanding and making a name on the global stage. Everything changed though after the war came through. Art for Imperial Japan and Ono won’t be the same, depicting heroes on the front and even the landscape would change.
Banzai! A common Japanese battle cry used to honor the Emperor before a suicidal charge that, in the long run, brought nothing but destruction to Imperial Japan and to Ono’s family. It’s during the war, that Ono had the most anxiety and was beginning to fall apart on his artistic ability to even continue on with his work. The novel provides details to show that how devastating the war had affected not only Ono, but also his surroundings and neighbors. Every Japanese family gave up their best young men to fight and bring back honor to their families after their deaths. Yet, the people and land, in other words, Ono’s world turned from a beautiful and wealthy Japan, to a war-torn landscape full of debris and rubble. Yet, the most devastating thing was the death of his son. Due to Japan’s conquest of Manchuria during and after the war, the Soviet Communists decided to invade due to its declaration of war. Here, Ono’s son, Kenji, died after a suicidal banzai attempt to charge at the enemy Soviets, but was killed during the battle. Same as with other families, I’m pretty sure such a deadly blow to Ono, seeing that Kenji as his only son, had some kind of influence on his retirement of art. Ono, yet, retains a peaceful mindset and sets off to try to leave such things as his father’s negative attitude towards new things such as the art that gave Ono an opportunity to pursue something he enjoyed and was good at.
If it weren’t for the war, Ono might’ve still practiced art and perhaps teached others, He could’ve done something about his love for that ability and continue to enjoy what he does best. Yet, life isn’t always fair and Ono lived through the struggles that life tosses to him day by day.

Ishiguro, Kazuo. An Artist of the Floating World. New York. Vintage International. 1989.

4 comments:

  1. I wanted to start of by saying that this is very interesting because you have so much knowledge about World War 2 that you can connect this section of the book to history and what was going on at the time.

    I do agree that it must be horrible for a parent to discourage his child in such a way, and I do believe that that may be one of the reasons that Ono stopped painting. But as we see, he still continued to paint some after his father told him not to. We see this when he is talking to Matsuda and they talk about their experiences from the past.

    I think that the main reason that he stopped to paint was because of the loss of his wife and son (which died during the war). His love for his family were his inspiration to paint. Without him feeling love he couldn't paint.

    We do see him begin to draw when he is with his grandson, Ichiro. I think that once he was feeling his love again he could begin to paint/ draw again.

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  2. Just to add on... He begins to draw with Ichiro on page 31.

    "'Oji wants to see what you've been doing with the crayons he gave you. That's only fair.'"

    "'Bring them over and we'll draw something together. Oji will show you.'"

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  3. I agree semi-agree with you A-Lex. I believe that Ono stopped painting because like Rebbecca said taking the losses that he did extracted all of his ambition and motivation to paint and when this happened, I think Ono remembered what his dad told him that he would basically amount to nothing if he continued to paint which is exactly what happened. With loosing his son it was hard, but I feel that Ono is rather a little pleased to know that his son Kenieji died with honor and dignity like a man should which is Ono's philosophy due to his father's strict manner that was inherited by Ono. It's his wife that he misses.

    I do believe that we await the return of Ono to the paintbrush because he will come to his senses that if he continues to leave painting in the past, it is like being a coward since he was part of a cause of the disastrous affect the war left in Japan. He will soon continue to fight for what he believes in so he will die in honor like his son and won't let his wife's death go down without fighting to the end to make her death worth it.

    I do agree that he needs love and support from his family but colleagues as well to continue painting. I have a feeling he will round up his posse and get back to his role as a patriotic artist and the voice for his kind.

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  4. I agree with both Rebecca and Nick. But do have a comment on a point that Alex made earlier, and that yall have commented on. Alex mentioned that after the war Ono stopped painting because he lost his inspiration. So far some points have been raised as to why this happened; one is that he lost his wife and son in the war, and another is that, since Japan lost in the war, he didn't feel as much patriotism for his country.

    I believe that either of those arguments can be true, and maybe they both partially are, but Ono's change is part of the bigger picture. This book concentrates on Ono's artistic change to illustrate the change that all the Japanese people had to go through. After having two atomic bombs dropped on the, I imagine that the Japanese had a long period of shock and devastation. Things were going to take a long time for them to ever be normal again - if they were ever going to get normal.

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